
Carlo Zauli is considered one of the most important ceramic sculptors of the twentieth century. The international success followed a first period dedicated to ceramic art in the fifties, while the early sixties saw him evolve towards a markedly sculptural interpretation of his work. In these years he developed his own artistic language, full of informal atmospheres intertwined with a harmonious but disruptive "naturalness".
The work Rinascita di un primario (Rebirth of a primary) belongs to this fortunate period, a perfect synthesis of his own poetics, always aimed at constructing dialectics between primary and organic forms, between geometric structures and naturalistic tremors.
The work is an installation of three cubes accompanied by 7 engravings. The primordial forms are excavated, furrowed, interrupted by fractures which, while not seeking a direct imitation of Nature, relive its dynamics and metamorphosis. Finally, the works are harmonious and sensual also thanks to the chromatic choice, entrusted to a special enamel, invented and created by the artist, which constitutes an identity element, almost a signature.
The works, created between 1977 and '78 for an anthological exhibition, have been exhibited on rare occasions: at the personal exhibition at Palazzo dei Diamanti in Ferrara in 1979, at the Quadriennale in Rome in 1985 and in the great traveling retrospective in Japan, including 2007 and 2008, and were considered by Zauli among his most successful works.
| Hours | Monday 3:00 PM - 7:00 PMTuesday to Saturday 10:00 AM - 7:00 PM |
| Venue | Nilufar Gallery |
| Type | Design Exhibition |
| Duration | 10:00 AM - 7:00 PM |
| City | Milan |
About
Nilufar Gallery
Discovering, Crossing, Creating. Nina Yashar believes in valuing design to tell stories. She founded Nilufar Gallery in Milan in 1979. Originally located in via Bigli and specialized in antique carpets, a passion she inherited from her Iranian parents, the Gallery soon launched a series of pioneering shows, including “La rosa nel tappeto” (The rose on the carpet) – a study on the iconography of the rose motif in rugs from all around the world – while bringing both Oriental and European carpets, such as Kilim, Gabbeh and Aubusson varieties, into the Italian and international spotlight. By the end of the Nineties, the Gallery, now located in via della Spiga, ventured into modern and contemporary furniture, showcasing the work of midcentury masters alongside unusual carpets, cutting-edge furniture and emerging designers’ pieces. In 1999, the Gallery expanded its headquarters in via della Spiga with a project lead by Italian designer Gian Carlo Montebello. The first decade of the new century witnessed a series of experimentations and contamination which strengthened the Gallery’s reputation of a reference point to historical and contemporary design lovers.


















