Brassless

Nilufar Gallery

Dates

5 Sep - 11 Sep, 2021

10:00 AM - 7:30 PM

Location

Villa Bagatti Valsecchi

Villa Bagatti Valsecchi, Via Vittorio Emanuele II, 48, 20814 Varedo MB, Italy, Milan

Brassless

Brassless, the exhibition part of the FAR project curated by Studio Vedet and presented in the gallery in 2020, will occupy the spaces of Alcova, with unique pieces by international designers such as Objects of Common Interest, Simon Ballen, Odd Matter, Older and Carlo Lorenzetti to name a few. BRASSLESS comments on the use (or abuse) of this metal, most popularly in the form of surface-layer sheets that cover everything (and nothing in particular) in contemporary design, with little regard for the unique properties of brass. The show celebrates the return of material potentiality and meaning as urgent design topics, showing 11 projects (in different metals and 1 non-metal) that investigate physical and visual qualities of matter — exploring forms and avoiding uniformity.

Hours10:00 AM - 7:30 PM
VenueVilla Bagatti Valsecchi
TypeDesign Exhibition
Duration10:00 AM - 7:30 PM
CityMilan

About

Nilufar Gallery

Discovering, Crossing, Creating. Nina Yashar believes in valuing design to tell stories. She founded Nilufar Gallery in Milan in 1979. Originally located in via Bigli and specialized in antique carpets, a passion she inherited from her Iranian parents, the Gallery soon launched a series of pioneering shows, including “La rosa nel tappeto” (The rose on the carpet) – a study on the iconography of the rose motif in rugs from all around the world – while bringing both Oriental and European carpets, such as Kilim, Gabbeh and Aubusson varieties, into the Italian and international spotlight. By the end of the Nineties, the Gallery, now located in via della Spiga, ventured into modern and contemporary furniture, showcasing the work of midcentury masters alongside unusual carpets, cutting-edge furniture and emerging designers’ pieces. In 1999, the Gallery expanded its headquarters in via della Spiga with a project lead by Italian designer Gian Carlo Montebello. The first decade of the new century witnessed a series of experimentations and contamination which strengthened the Gallery’s reputation of a reference point to historical and contemporary design lovers.

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