The Ever-Present Future of Design

Nilufar Gallery

Dates

20 May, 2023 - 20 May, 2024

10:00 AM - 6:00 PM

Location

Nilufar Nicelli Airport

Via R. Morandi, 9, 30126 Venezia VE, Italy, Venice

The Ever-Present Future of Design

A year after the partnership’s official announcement and in conjunction with the opening of the Venice Architecture Biennale 2023, Giovanni Nicelli Private Airport and Nilufar present the new exhibition “The Ever-Present Future of Design”. Hosted in the hall of the 1920’s building and curated by Nina Yashar, the exhibition was conceived thinking of the intrinsic nature of connections and exchanges that resides within the space of the airport, and proposes the contemporary face of collectible design as informed by a journey through its history and present. Pieces from diverse ages, countries and creators, conjoin in a single but multiform language that discovers the future through vintage and contemporary creations.

The new exhibition reinforces Giovanni Nicelli Private Airport’s role of cultural pole promoting arts in the Lido, as begun in 2019 by the new president and administrator Maurizio Luigi Garbisa, alongside the director of marketing and events, Stefano Rampinelli, and the head of cultural and artistic direction, Laura Alfieri. Nina Yashar once again renders the arrivals/departures hall of the airport a stage to discover the excellence of collectible design, walking the thin and exquisite line between artistry and functionality. The travel begins with a large and varied showcase of pieces from the masters, belonging to different ages and nationalities, including: Pietro Consagra’s Metacubo (2003), Prominenza (1995), Doppio Bifrontale (2000), Ferro Rosso (2003) and Bianca Bianca (1976); Andrea Branzi’s Fuzzy Collection (2011); Edward J. Wormley’s two sofas (1950); Paolo Buffa’s pair of armchairs (1950); Carlo Scarpa’s Cornaro sofa and armchair models (1973); Franco Albini’s LB10 modular bookcase (1958); Ignazio Moncada di Paternò’s paintings (from 1973 to 2000s); Martin Eisler & Carlo Hauner’s cabinet (1960); Gio Ponti’s Pair of wall lamps (1950’s) ; Joaquim Tenreiro’s Two-Seats Sofa (1958).

Moving to the contemporary selection, the new steel Libra Table by Atelier Lavit, originally conceived as an outdoor piece, is showcased indoor; a research for the minimum, the essential gesture that surfaces from the experimentation and understanding of the material itself. Khaled El Mays’ 2019 Flora Modular Seating System is also added to the exhibition; the natural world serves as main inspiration, in the quest of a novel interpretation within the living environment; also included is the designer’s Palmea collection’s low table and Nomad bench. A large selection of Martino Gamper’s works is exhibited, including two House Plan carpets (2021 and the Large and Small Upholstered Benches 01 and 02 (2016). The creations of contemporary designers, such as Analogia Project’s Luminaria (2017) and Goldfish modular table (2021), Lukas Wegwerth’s III + I tables from (2020), Domitilla Harding’s Vase Madrem and Vase Eleonora Duse (2018), Odd Matter’s Guise table lamp (2020) and Draga & Aurel’s Jade coffee tables (2022) dialogue within the space. To complement the display, Besana Carpet Lab had landed the distinct moquette.“

Hours10:00 AM - 6:00 PM
VenueNilufar Nicelli Airport
TypeExhibition
Duration10:00 AM - 6:00 PM
CityVenice

About

Nilufar Gallery

Discovering, Crossing, Creating. Nina Yashar believes in valuing design to tell stories. She founded Nilufar Gallery in Milan in 1979. Originally located in via Bigli and specialized in antique carpets, a passion she inherited from her Iranian parents, the Gallery soon launched a series of pioneering shows, including “La rosa nel tappeto” (The rose on the carpet) – a study on the iconography of the rose motif in rugs from all around the world – while bringing both Oriental and European carpets, such as Kilim, Gabbeh and Aubusson varieties, into the Italian and international spotlight. By the end of the Nineties, the Gallery, now located in via della Spiga, ventured into modern and contemporary furniture, showcasing the work of midcentury masters alongside unusual carpets, cutting-edge furniture and emerging designers’ pieces. In 1999, the Gallery expanded its headquarters in via della Spiga with a project lead by Italian designer Gian Carlo Montebello. The first decade of the new century witnessed a series of experimentations and contamination which strengthened the Gallery’s reputation of a reference point to historical and contemporary design lovers.

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