
Nilufar and Métaphores come together once again to present In the Mood for Touch—an immersive installation set within the Métaphores showroom in Paris. The project transforms the space into a refined, sensorial environment that merges the understated elegance of French soft-furnishing fabrics with the expressive materiality of Nilufar Edition, a unique foray into the world of furnishings that rejects conventional thinking.
Curated and designed by Nilufar and its founder Nina Yashar, together with Mètaphores, In the Mood for Touch reflects a shared passion for materials, emotion, and artistic storytelling. The installation continues a creative dialogue between the Milanese gallery—renowned for its bold curatorial vision—and the historic French textile maison Métaphores, known for its poetic approach to weaving and dedication to craftsmanship.
| Hours | From Tuesday to Friday 10:00 AM - 2:00 PM / 2:30 PM - 6:30 PMSaturday 2:00 PM - 6:30 PM; Closed on Sunday and Monday |
| Venue | Métaphores Showroom |
| Type | Exhibition |
| Duration | 10:00 AM - 6:30 PM |
| City | Paris |
About
Nilufar Gallery
Discovering, Crossing, Creating. Nina Yashar believes in valuing design to tell stories. She founded Nilufar Gallery in Milan in 1979. Originally located in via Bigli and specialized in antique carpets, a passion she inherited from her Iranian parents, the Gallery soon launched a series of pioneering shows, including “La rosa nel tappeto” (The rose on the carpet) – a study on the iconography of the rose motif in rugs from all around the world – while bringing both Oriental and European carpets, such as Kilim, Gabbeh and Aubusson varieties, into the Italian and international spotlight. By the end of the Nineties, the Gallery, now located in via della Spiga, ventured into modern and contemporary furniture, showcasing the work of midcentury masters alongside unusual carpets, cutting-edge furniture and emerging designers’ pieces. In 1999, the Gallery expanded its headquarters in via della Spiga with a project lead by Italian designer Gian Carlo Montebello. The first decade of the new century witnessed a series of experimentations and contamination which strengthened the Gallery’s reputation of a reference point to historical and contemporary design lovers.

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